I was responsible for ensuring that any time the film was shot at a track—whether replicating a Grand Prix or filming before, during, or after a live event—the track/ paddock signage was factually accurate. This involved managing all aspects of production related to the track, including coordinating between the signage supplier, Formula 1, and the film's art department. During a live Grand Prix, I ensured all signage and artwork were approved, printed, and installed in time for race weekend. For shoots outside of the Grand Prix, I ensured the track and paddock either replicated race weekend conditions or were restored to appear as though filming took place during a live event. I oversaw these operations at races in Silverstone, Monza and Budapest Grand Prix weekends, as well as replicating Suzuka at Brands Hatch in the UK.
